A Victim of Despair :: Frankenstein Mary Shelley Creative Essays

A Victim of Despair How many of you have read or heard the story of Frankenstein? I'm sure some of you may remember reading Mary Shelly's novel or watching one of the many versions of the movie.Have you ever noticed that most of the stories about Frankenstein are shown only through Victor Frankenstein's experiences? What about the monster he created? Have you ever wondered what the monster's side of the story was? Well, you're in for a big surprise because tonight on Novel News, the monster that Victor Frankenstein created will be here to share his side of the story. Let's welcome our guest, Mr. Monster. How does your story go? It was not long ago on a cold November night, that I became the product of Victor Frankenstein's discovery of "bestowing animation upon lifeless matter". Electricity engulfed my body, acrid odors surrounded my senses, and the loud shrieking of," It's Alive! It's Alive!" filled my ears. I had no recollection of who or where I was. The unfamiliar chamber from where I awoke was musty and damp. Numerous bottles and wires filled the dimly lit room. I began to walk around the room attempting to find something that looked familiar. I didn't recognize anything and as I walked I had trouble maintaining my balance, I kept slipping on a liquid substance that had spilled all over the floor. Once I regained my balance an overwhelming sense of strength rendered my body; it was a feeling that I never experienced, my arms and legs felt energized like there was an endless energy flowing through them. I looked at myself in a nearby mirror and noticed the apparent scars that covered my body and face. My arms, legs, hands, feet and face were numb and seemed like they didn't belong to me; it was almost as if someone stitched me together using numerous body parts. I asked myself as looked in the mirror," Who was this ghastly monster I was looking at in the mirror? Could it be me?" I took my hand and rubbed the scars on my face and on my arms. I was the monster in the mirror. I don't know what to say but at first I thought I was having a bad everything day - you know bad hair and skin. The yellowish tone in my skin made me look somewhat dead. I was so embarrassed by my presence, I was afraid to scare off whoever came near.

Plot Summary (The Kugelmass Episode) Essay

â€Å"The Kugelmass Episode† opens with Kugelmass, a middle-aged, unhappily married humanities professor seeking the advice of his analyst, Dr. Mandel. He is bored with his life, and he needs to have an affair. His analyst disagrees, however, telling him â€Å"there is no overnight cure† for his troubles, adding that he is â€Å"an analyst, not a magician.† Kugelmass then seeks out a magician to help him solve his problem. A few weeks later, he gets a call from The Great Persky, a two-bit magician/entertainer who shows him a â€Å"cheap-looking Chinese cabinet, badly lacquered† that can transport the professor into any book, short story, play, or poem to meet the woman character of his choice. When he has had enough, Kugelmass just has to give a yell and he is back in New York. At first Kugelmass thinks it is a scam, then that Persky is crazy, but for $20, he gives it a try. He wants a French lover, so he chooses Emma Bovary. Persky tosses a paperback copy of Flaubert’s novel into the cabinet with Kugelmass, taps it three times, and Kugelmass finds himself at the Bovary estate in Yonville in the French countryside. Emma Bovary welcomes Kugelmass, flirting with him as she admires his modern dress. â€Å"It’s called a leisure suit,†Ã¢â‚¬Ëœ he replies romantically, then adds, â€Å"It was marked down.†Ã¢â‚¬Ëœ They drink wine, take a stroll through the countryside, and whisper to each other as they recline under a tree. As they kiss and embrace, Kugelmass remembers that he has a date to meet his wife, Daphne. He tells Emma he will return as soon as possible, calls for Persky, and is transported back to New York. His heart is light, and he thinks he is in love. What he doesn’t know is that students across the country are asking their teachers about the strange appearance of a â€Å"bald Jew† kissing Madame Bovary on page 100. The next day, Kugelmass returns to Persky, who transports him to Flaubert’s novel to be with Emma. Their affair continues for some months. Kugelmass tells Persky to always get him into the book before page 120, when the character Rodolphe appears. During their time together, Emma complains about her husband, Charles, and her dull rural existence. Kugelmass tells her about life back in New York, with its nightlife, fast cars, and movie and TV stars. Emma wants to go to New York and become an actress. Kugelmass arranges it with Persky that the next liaison with Emma is in New York. He tells Daphne that he will be attending a symposium in Boston, and the next afternoon, Emma comes to New York. They spend a wonderfully romantic weekend together, and Emma has never been as happy. Meanwhile, a Stanford professor, reading Flaubert’s book, cannot â€Å"get his mind around† the changes that have taken place to the novel: First a strange character named Kugelmass appears, and then the title character disappears. When Persky tries to return Emma to the novel, his cabinet malfunctions, and she is forced to stay in New York. Kugelmass finds himself running between Daphne and Emma, paying Emma’s enormous hotel bills, and having to put up with his lover’s pouting and despondence, and the stress begins to wear him out. He learns too that a colleague who is jealous of him, Fivish Kopkind, has spotted Kugelmass in the book and has threatened to reveal his secret to Daphne. He wants to commit suicide or run away. But the machine is fixed at last, and Kugelmass rushes Emma to Persky’s and eventually back to the novel. Kugelmass says he has learned his lesson and will never cheat again. But Kugelmass is at Persky’s door again three weeks later. He is bored and wants another affair. Persky warns him that the machine has not been in use since the earlier â€Å"unpleasantness,† but Kugelmass says he wants to do it, and asks to enter Portnoy’s Complaint. But the cabinet explodes, Persky is thrown back and has a fatal heart attack, and his house goes up in flames. †¦ Conflict Conflicts Mr.Kugelmass internal conflict He is conflict with himself. He is not happy with his second wife. He always wants to other woman. But he does not content with them because he does not know what he wants. Firstly he wants to romantics’ but he lives an affair with these woman. In briefly, he does not lead a life which he dreams. Mr.Kugelmass external conflict He is in conflict with environment. Because he is a famous professor, he does not want to be learnt his private life. If his private life is learnt his life will became worse. The people around his condemn him because of adultery and this ruins his reputation. Literacy Element Irony 1. Although Mr.Kugelmass does not love his second wife, he does not want to divorce her. This is ironic 2. Mr.Kugelmass goes near Persky to have an affair with Emma Bovary. But he has troubled with Emma in their relationship. He swears that he does not have an affair with another woman in his rest life. But he can’t keep his promise and goes near Persky ago for a new affair. This is ironic. The similes â€Å"Who suspected she’d let herself go and swell up like a beach ball.† Mr.Kugelmass thinks that his wife resembles a beach ball because she is very fat. This is simile. â€Å"Kugelmass was bald and as hairy as a bear† Because Mr.Kugelmass is furry, he resembles a bear. Humor is used in this story with a sense of total absurdness of events that occur in the story. These events range from Persky saying â€Å"If I throw any novel into this cabinet with you, shut the doors, and tap three times, you will find yourself projected into the book†. To the absurdness of Emma Bovary, from a famous piece of literature made in 1856, saying†Tell me about O.J. Simpson† and asking Kugelmass about other people, places, and events from the 20th century.

Sympathizing with Shylock in William Shakespeares The...

Sympathizing with Shylock in William Shakespeares The Merchant of Venice In the Merchant of Venice, Shakespeare creates an atmosphere throughout the play, which causes the audience to sympathize with Shylock. Shakespeare uses key events, and dialogue to influence the audience. At the time Shakespeare wrote his plays, and they were performed, the contemporary audience would have mainly consisted of Christians. Jews were often persecuted, as they were the minority. The Christian audience would have been quite arrogant, and Shakespeare would have had to pander to this audience, to make the play appeal to them. He did this through Shylock. In Act 3 Scene 3, Shylock tells of how he is abused by†¦show more content†¦A modern audience would be multi-racial and therefore they would feel the same level of emotion, but it would be different, as only an extremely small minority of the modern audience would have mistreated Jews so consequently, they would almost be able to feel Shylocks emotions, as they can relate to them. He gives a very powerful performance. His speech is then concluded with further evoking of sympathy, If you prick us do we not bleed? If you tickle us do we not laugh? stating that he is not merely a religion, which he is seen as by the people who discriminate against him, he is a human. This particular sentence has become very famous, and further evokes sympathy and shows that Shylock is human with feelings and has a valid reason for wanting revenge. The play has two plots; the flesh-bond plot, and the marriage-caskets plot. Bassanio wishes to offer marriage to Portia, the Heiress of Belmont but cannot compete with her other suitors. Portia is the heiress to a great fortune, but her fathers will states that she can only marry the man who chooses the correct casket, made of either Gold, Silver or lead. The potential husband must choose the casket containing her portrait. In Belmont, after the Princes of Morocco and Aragon have both chosen the wrongShow MoreRelatedSympathizing With Shylock At The End Of Act 4 in William Shakespeares The Merchant of Venice736 Words   |  3 PagesSympathizing With Shylock At The End Of Act 4 in William Shakespeares The Merchant of Venice Throughout The Merchant of Venice the extent to which the reader sympathises with Shylock is constantly adjusted, formed by the most recent facts and circumstances learned of. After only a few words the impression given of Shylock is one of a sly, cunning, suspicious man; he openly admits (to the reader/viewer) that he hates Antonio for he is a Christian. We then learn of possible